The end of last week got kind of manic with a range of projects reaching finishing points.
– sending scores, parts, backing tracks and other performance details for the performers of a new multimedia chamber work “Flutter”.
– submitting full score and parts for a new orchestral piece “convoluted” for the NZSO SOUNZ Recordings in February next year (alas I won’t get to hear it live because I will be in Nepal)
– A fun concert at the Dunedin Public Art Gallery. Audience relaxed on beanbags, a great big reverberant space, acoustic piano drenched in electronics – All good things. Here are a few pics from the concert.
The setup for the concert.
The Grand Foyer space (top floor) in the Dunedin Public Art Gallery
PLUS! on the weekend we also released the Scorelocks Collective Album “A Collection of Cues – Vol.1”. It is available on bandcamp now!
I recently collaborated with visual artist James Sutherland on a moving-image/sound-art piece entitled ‘flow’.
This work relates to the writings of Hungarian psychologist Mihaly Csikszentmihalyi., who contends that people are happiest when they are in a state of flow— a state of concentration or complete absorption with the activity at hand and the situation. Artists, musicians, sportspeople are familiar with this state: “being in the zone”.
The work is autotelic, and invites the viewer to enter into a state of “flow” where any narrative is drawn from within. On first viewing, the work appears to be repetitive in terms of sound and image, but subtle shifts exist in space and texture. This repetitiveness seeks to lull the viewer into a quasi-meditative state: a reference to “being in the work” in abstract expressionist tradition.
Musically this piece explores a harmonic field of specific pitches, constructed with an internal symmetry around the note F4 using both the major and minor 3rd intervals alternately. This internal symmetry is not overtly obvious upon listening due to the offset nature of the melodic placement. Audio effects enhance and alter the sonic envelope paths – thus creating a sense of musical movement in the ‘negative space’.