Concerts, Albums and Scores

The end of last week got kind of manic with a range of projects reaching finishing points.

– sending scores, parts, backing tracks and other performance details for the performers of a new multimedia chamber work “Flutter”.

– submitting full score and parts for a new orchestral piece “convoluted” for the NZSO SOUNZ Recordings in February next year (alas I won’t get to hear it live because I will be in Nepal)

– A fun concert at the Dunedin Public Art Gallery. Audience relaxed on beanbags, a great big reverberant space, acoustic piano drenched in electronics – All good things. Here are a few pics from the concert.

The setup for the concert.

The Grand Foyer space (top floor) in the Dunedin Public Art Gallery

 

PLUS! on the weekend we also released the Scorelocks Collective Album “A Collection of Cues – Vol.1”. It is available on bandcamp now!

Into the Nocturnal Sunshine

For the past couple of years I have been asked to perform at the Waikato University Blues Awards. These awards recognition students who have excelled in either sports or creative and performing arts to national and international levels. It is an honour to be selected to receive one of these awards – and to perform as part of this ceremony (they typically only have 3 performances) is also quite nice.

After my performance last year I had thought if I was asked to perform again I wouldn’t know how to follow it… but I was asked to perform again this year, so had to put together something to follow a performance with videos, dancer, special fx makeup and pyrotechnics!

The piece I came up with is called Into the nocturnal sunshine. As I started to compose the music, I was also thinking about the dramatic shape and how to effectively stage the piece. Working with Brad Thomson at the Academy of Performing Arts was great – huge support and with his team, came up with ways to make the vision in my head a reality.

This is a piece that I am very proud of – it was fun to write, to rehearse and to perform.

Here are some other notes about the piece and the performance:

Continue reading