SOLO WORKS
Frosted Air Suite – for flute and electronics (winner of the 2015 Philip Neill Memorial Prize in Composition)
Tracking Forward – for viola and backing track (performed by Adam Maha – 1st place at 2012 Waikato Lilburn Composition Competition – multimedia section. | Also performed at: ArtsElectro Waikato, OKTA Contemporary music concert, Sir Ed.Hillary Showcase Waikato)
Push for Miles – for electric bass and backing track (premiere performance by Nick Tipping at Waikato University + viola re-worked version performed by Adam Maha at OKTA Contemporary Music Concert 2013 | Also cello re-worked version performed by Yotam Levy -1st Equal in Multimedia Section of 2013 Lilburn Trust Composition Competition)
The Effects of Bundled Sticks on Sound – for bassoon and fx pedals
From Dusk til Dawn – for solo flute (2nd place – acoustic section of Lilburn Trust Composition Competition 2004)
Signature Asymmetry – bass drum, drum kit, vibes and backing track
Whit-woo – for solo bass (currently unrecorded)
For Wolf – for toy piano and soundscape
Otakou Lullaby – for taonga puoro and soundscape
Sunrise on the Peninsula – for taonga puoro and backing track
VOCAL WORKS
Cut Away the Masts – song cycle for soprano and soundscape – Collaboration with Robert Burns Fellow Majella Cullinane
A mix of Emotions – song cycle for soprano, violin, cello and turntables
ENSEMBLE WORKS
Fourteen Moments for Three – for piano trio (a winner of the 2015 NZTrio Composition Competition)
Through the Pulsating Debris – for four pianos
In that infinite moment – for piano and bass (with Nick Tipping)
The Birth – a multi-media performance piece for chamber orchestra, soprano, narrator, dancers, video, pyrotechnics. (Premiered at the Waikato University Blues Awards)
To entertain a Wolf – for string quartet (performed by the Taiaha Quartet at the 2012 ROSL finals – recorded by RadioNZ Concert)
Into the Nocturnal Sunshine – for chamber ensemble (performed at the 2012 Waikato Blues Awards Ceremony)
Norse Suite – four movements for viola and cello (premiere performance by Adam Maha and Yotam Levy at Waikato University + live streaming web broadcast 2013)
The Long White Cloud – a suite in 7 linked sections, for chamber ensemble (flute, viola, cello, trumpet, keyboards, guitar, bass, drums, taonga puoro, and electronics – premiere performance at Waikato University Showcase 2013)
Sketches of an Intergalactic Earworm – suite in 7movements for piano trio and boombox. (Premiere performance by NZ Chamber Soloists at OKTA Contemporary Music Concert 2013)
The Foggy Field – for trumpet, turntables and backing track (premiere performance by Mike Booth and the composer at Waikato University 2013)
A pulse worth fighting for – for flute, trumpet, viola, cello, keyboards, guitar, bass, drums, and electronics (premiere performance at Hamilton Gardens Arts Festival 2013)
Not a one way street – for piano, viola, cello and synth (premiere performance at Waikato University Showcase 2013)
Lost – for chamber ensemble (premiere performance at Hamilton Gardens Arts Festival 2013)
Nuevo Viaje – for guitar orchestra
Today is the Tomorrow – for turntables, electronics and keyboard (performed by the composer – 1st place at the 2006 Waikato Lilburn Composition Competition – multimedia section)
Supermarkets and Lovers (for string quartet)
De Feo (alto sax and viola)
Espacio (guitar orchestra)
Into the Depths of Darkness (micro score for flute, oboe, clarinet, bassoon)